Alma Pöysti stands out as a feminist politician in this irritatingly cosy portrait of a very complicated relationship worked out all too easily
A rosy glow of self-satisfied emotional intelligence emanates from this film about polyamory from Finland. Alma Pöysti (from Kaurismäki’s Fallen Leaves) plays Juulia, a progressive feminist politician married to Christian pastor Matias (Eero Milonoff); they have one child. When Matias, in anguish, admits he is in love with single-mum parishioner Enni (Oona Airola), but still loves Juulia, she is deeply hurt but boldly suggests an open marriage as a solution. Soon she too begins a relationship with queer nurse Miska (Pietu Wikström) who is together with a maths teacher in Sweden.
Having accepted the validity of polyamory, the movie naturally denies itself and us the vulgar sexy thrill of infidelity and guilty secrets. This makes it much more mature and much less exciting. Pöysti is good as Juulia, but Milonoff – so powerful in Ali Abbasi’s sci-fi film Border – is landed with the dull role of a minister with apparently no work to do other than compose infrequent sermons, and whose persistent characteristic is a supercilious pass-agg emphasis on humility and human imperfection. (That adjective in the title needlingly restates this.)
Continue reading… Alma Pöysti stands out as a feminist politician in this irritatingly cosy portrait of a very complicated relationship worked out all too easilyA rosy glow of self-satisfied emotional intelligence emanates from this film about polyamory from Finland. Alma Pöysti (from Kaurismäki’s Fallen Leaves) plays Juulia, a progressive feminist politician married to Christian pastor Matias (Eero Milonoff); they have one child. When Matias, in anguish, admits he is in love with single-mum parishioner Enni (Oona Airola), but still loves Juulia, she is deeply hurt but boldly suggests an open marriage as a solution. Soon she too begins a relationship with queer nurse Miska (Pietu Wikström) who is together with a maths teacher in Sweden.Having accepted the validity of polyamory, the movie naturally denies itself and us the vulgar sexy thrill of infidelity and guilty secrets. This makes it much more mature and much less exciting. Pöysti is good as Juulia, but Milonoff – so powerful in Ali Abbasi’s sci-fi film Border – is landed with the dull role of a minister with apparently no work to do other than compose infrequent sermons, and whose persistent characteristic is a supercilious pass-agg emphasis on humility and human imperfection. (That adjective in the title needlingly restates this.) Continue reading… Film, Drama films, Sex, Finland, Marriage, Christianity, Culture, Europe, Family, Life and style, Religion, World news
