Tate Modern, London
The late Australian performance artist’s huge retrospective is packed with outlandish costumes, stylish photographs, emotive writing and evocative video footage, but what is most striking is his singular artistic vision
Life was a guise to the performance artist Leigh Bowery (1961-94). His looks were so outlandish, his costumes so teemingly various, they jam every inch of this huge retrospective. He is a gilded boy-god, a Christmas pudding on legs, a prosthetised Venus of Willendorf. He is a leather-clad dame in a zipped-up mask or a Regency dandy in pistachio pantaloons, their orange polka dots spreading upwards all over his face.
He fills the frame every time, in period photographs and videos, an enormous Australian with a shaved head and powerful calves, standing 6ft 3in and higher in towering platform soles painted scarlet or silver. Even though he is long gone, a sense of his colossal presence is apparent from the opening gallery, where a rack of Bowery’s earliest costumes gives an immediate sense of his size.
Continue reading… Tate Modern, London The late Australian performance artist’s huge retrospective is packed with outlandish costumes, stylish photographs, emotive writing and evocative video footage, but what is most striking is his singular artistic visionLife was a guise to the performance artist Leigh Bowery (1961-94). His looks were so outlandish, his costumes so teemingly various, they jam every inch of this huge retrospective. He is a gilded boy-god, a Christmas pudding on legs, a prosthetised Venus of Willendorf. He is a leather-clad dame in a zipped-up mask or a Regency dandy in pistachio pantaloons, their orange polka dots spreading upwards all over his face.He fills the frame every time, in period photographs and videos, an enormous Australian with a shaved head and powerful calves, standing 6ft 3in and higher in towering platform soles painted scarlet or silver. Even though he is long gone, a sense of his colossal presence is apparent from the opening gallery, where a rack of Bowery’s earliest costumes gives an immediate sense of his size. Continue reading… Leigh Bowery, Art, Performance art, Art and design, Culture, Tate Modern, Painting, Lucian Freud, Exhibitions, Clubbing, Music, Fashion, Photography, Michael Clark, Life and style, Magazines